Toutes peintures à l'huile d'Jusepe de Ribera

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34266

Allegory of History

mk91 Oil on canvas 113x81

51137

An Old Money-Lender

1638 Oil on canvas, 76 x 62 cm

32908

Apollo and Marsyas

mk84 1637.Brussels canvas 202x255cm

51273

Apollo and Marsyas

1637 Oil on canvas, 182 x 232 cm

51128

Apollo Flaying Marsyas

1637 Oil on canvas, 202 x 255 cm

33627

Archimedes

mk86 1630 Oil on canvas 125x81cm Madrid,Museo del Prado

21617

Archimedes (mk08)

1630 Oil on canvas 125x81cm Madrid,Museo del Pardo

95709

Bende Magdalena Magdalena penitente

oil on canvas Dimensions 97 x 66 cm (38.2 x 26 in) cyf

40467

Boy with a Club foot

mk156 1642 Oil on canvas 164x94cm

29170

Christ in the Crown of Thorns

mk65 Oil on canvas 22 1/2x18"

51129

clubfooted boy

1642 Oil on canvas, 164 x 92 cm

32910

Dream of Facob

mk84 1639 Madrid,Prado,canvas 179x233cm

64718

hans atelje.

sankt bartolomeus. 1644. olja pa duk se

88675

Hieronymus

1629(1629) Medium Oil on canvas Dimensions 125 x 100 cm cyf

51131

Jacob Receives Isaac-s Blessing

1637 Oil on canvas, 129 x 289 cm

43102

Jacob with the Flock of Laban

mk170 circa 1638 Oil on canvas 132x118cm

77442

Jakobs Traum

Date 1639 Medium Oil on canvas Dimensions ?? cyf

32909

Ladnscape with Shepherds

mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm

67385

magdalena ventura

52603

Magdalena Ventura with Her Husband and Son

1631 Oil on canvas, 196 x 127 cm

33628

Marryrdom of St Bartholomew

mk86 1630 Oil on canvas 234x234cm Madrid,Museo del Prado

53801

Marsyas flas

mk234 183x234cm

21618

Martyrdom of St Bartholomew (mk08)

1630 Oil on canvas 234x234cm Madrid,Museo del Prado

51136

Mary Magdalene in the Desert

1640-41 Oil on canvas, 226 x 181 cm

32535

Recreation by our Gallery

mk79 1640-1647

32539

Recreation by our Gallery

mk79 1636

69455

Saint Matthew

oil on canvas painting by Jusepe de Ribera

29223

Saint Onuphrius

mk65 Oil on canvas 1637 51x41"

3560

Saint Paul the Hermit

1640 Museo del Prado, Madrid

87967

San Jeronimo

1644(1644) Medium Oil on canvas Dimensions Deutsch: 109 x 90 cm cyf

32906

Sense of Taste

mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm

62305

St Albert

230 x 170 mm British Museum, London Throughout his career, Ribera was an avid draftsman in pen and ink and in red chalk, and the chalk drawings in particular evince the approach of an artist trained in an Italian workshop. In this study of St Albert Ribera solves a problem of figure drawing with an ease that is rarely matched by Spanish painters of the period. The technique is Italianate as well: thin, closely spaced lines and soft shadows are used to delineate the body and musculature

33629

St Christopher

mk86 1637 Oil on canvas 127x100cm Madrid,Museo del Prado

21620

St Christopher (mk08)

1637 Oil on canvas, 127x100cm Madrid,Museo del Prado

20572

St Paul the Hermit (mk05)

Canvas 77 1/2 x 60 1/4''(197 x 153 cm)Acquired in 1875

41008

St Sebastian and St Irene

mk159 1628 Oil on canvas 156x188cm

52678

St Sebastian Tended by the Holy Women

1621 Oil on canvas, 180,3 x 231,6 cm

32907

St.Ferome and the Angel

mk84 1626 Naples canvas262x164cm

30035

St.Francis

mk67 Oil n canvas 40 9/16x30 5/16in Pitti.

29215

St.Jerome Hears the Trumpet

mk65 Oil on canvas 73x52"

3559

St.Onufri

1637 The Hermitage, St.Petersburg

29232

St.Sebastian.St.Irene,and St.Lucila

mk65 Oil on canvas 61 1/2x74"

20576

The Adoration of the Shepherds (mk05)

1650 Canvas,94 x 71 1/4''(239 x 181 cm)Given by the king of Naples,Ferdinand IV,to the French government in compensation for the Pictures removed from the Church of San Luigi in Rome by the Neapolitan troops,1802.Musee Napoleon INV

20578

The Beggar Known as the Club-foot (mk05)

1642 Canvas,64 1/2 x 37''(164 x 94 cm)The Paper that the child holds solicits alms Bequest of Dr Louis La Caze 1869

33626

The Boy with the Clbfoot

mk86 1642 Oil on canvas 164x92cm Paris,Musee National du Louvre

21615

The Boy with the Clubfoot (mk08)

1642 Oil on canvas 164x92cm Paris,Musee National du Louvre

20573

The Deposition (mk05)

Canvas,50 x 71 1/2''(127 x 182 cm)Given to the Louvre by Napoleon II in 1868

51132

The Duel of Isabella de Carazzi and Diambra de Pottinella

1636 Oil on canvas, 235 x 212 cm

3561

The Flaying of Marsyas

Musee Royaux des Beaux Arts du Belgique, Brussels

55733

The Holy family

mk244 253x196cm 1639 Oil on canvas

3562

The Holy Family with Saints Anne Catherine of Alexandria

Metropolitan Museum of Art, New York

51135

The Holy Family with St Catherine

1648 Oil on canvas

30036

The Martydom of St.Bartholomew

mk67 Oil on canvas 57 1/16x85in

51138

The Martyrdom of St Andrew

1628 Oil on canvas, 209 x 183 cm

32915

Vision fo St.Bruno

mk84 1643 Naples 38x27cm

43698

Vision of St Bruno

1643 Oil on copper, 38 x 27 cm

Jusepe de Ribera

1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

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